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Neil Gaiman – The Best Commencement Speech You May Ever Hear (20 Minutes) This will be a short post as, sometimes, brevity counts. Cover Letter. I want to let Neil Gaiman speak in this instance. Neil is one of my favorite authors, and I first became fascinated by his imagination with The Sandman comics in the 90’s. So much so, in thematic essay on us foreign policy fact, that I imported The Sandman from 3d artist letter, different countries to help me learn languages. The Sandman from Brazil. Wonderful for you and essay studying Portuguese, as I have identical English editions.

My love for his work grew from there. From Anansi Boys to cover, The Graveyard Book (my favorite audiobook of why weed be legalized, all time) to Neverwhere, the list of favorites is long. The above commencement speech, mandatory listening for anyone who hopes to be creatively successful, is right up there with Steve Jobs’ 2005 Stanford commencement speech, which I’ve embedded below. I’d love to hear your thoughts in the comments on either, as well as links to 3d artist letter, any favorite speeches of your own. Posted on: May 22, 2012. Please check out the atom bomb, Tools of Titans, my latest book, which shares the tactics, routines, and habits of billionaires, icons, and letter, world-class performers. Essay On Us Foreign. It was distilled from 3d artist cover letter, more than 10,000 pages of thematic essay on us policy, notes, and everything has been vetted and tested in my own life in some fashion. The tips and tricks in Tools of Titans changed my life, and I hope the same for you. Click here for sample chapters, full details, and a Foreword from Arnold Schwarzenegger.

Comment Rules: Remember what Fonzie was like? Cool. That’s how we’re gonna be — cool. Critical is fine, but if you’re rude, we’ll delete your stuff. Please do not put your URL in the comment text and please use your PERSONAL name or initials and cover letter, not your business name , as the studies coursework latter comes off like spam. Have fun and 3d artist cover, thanks for adding to the conversation! (Thanks to as level business studies, Brian Oberkirch for the inspiration) 152 comments on “ Neil Gaiman – The Best Commencement Speech You May Ever Hear (20 Minutes) ”

Yes first comment. If I post a rude/offensive reply to this crap will it get deleted? Constructive comments are always welcome… Thank you Tim, this is just what I needed to hear #128578; Pretty hard to beat “Pale Blue Dot” by Carl Sagan. There’s a good collection of commencement speeches on Quora: I second this- DFW is not only cover letter, a master writer and philosopher, but also a very entertaining speaker.

Brilliant. Reminds me in doctoral some ways of the unforgettable Last Lecture from Randy Pausch: http://www.youtube.com/watch?v=ji5_MqicxSo. I found Neil’s speech terribly boring. Sure, the message is valuable, but the delivery was lacking much inspiration IMO. Steve Job’s speech on 3d artist cover letter the other hand, resonated with me. As for favorite speeches, none comes to mind, but I very much enjoy listening to why weed should essay, any of Alan Watts’ timeless lectures and can recommend them. Who is Steve Job? One of the best talks I’ve seen in a while. I’m moving in a week to teach writing in a very disadvantaged school in letter Denver (93% low-income and should be legalized, 96% non-white) and I’ll definitely be pulling from this. I’ll also be incorporating a lot I’ve learned from you, Tim.

I barely got into a state university but ended up being the letter first undergraduate to present in enlish essay the main program of the cover American Philosophical Association in ford doctoral its 110 year history, was one of cover, two Rhodes and Marshall nominees out of 24,000 students, facilitated a national fundraising partnership without prior networking, and landed an essay amazing social change agency consulting job straight out of college. I went through major lung surgeries throughout all that and am now bouldering V6-ish after having my left lat cut completely in half (largely thanks to 4HB). Anyway, that’s all pretty small beans compared to a lot of 3d artist cover letter, your readers but I really can’t thank you enough for all the ford work you’ve done (and will continue to do, through me, for my students). I wouldn’t have done even a fraction of that if I hadn’t stumbled upon a talk of yours back in the day. I also realize how ironic it is that this comment is abysmally written, given that I’m a writing teacher, but it’s late and beef+coconut aminos are calling my name.

Will watch Neil’s speech shortly, but have to say as commencement speeches go, Jobs and Jeff Bezos are two of my favorites. Here is the Bezos one (skip to 6:26 to avoid academic attempts at humor). Cover. http://youtu.be/vBmavNoChZc. Job’s killed it. Galman is the atom bomb essay, great as an 3d artist cover letter alternative to sleeping pills. Absolutely brilliant. If more people’s aim was to make art then not money then more people would have much more money and the world would be full of great art. I always say to people who I am helping to get published on kindle that there is great money to be made but do not publish with making money in mind. Publish because you want to as level business studies coursework, get your work out to people globally. If you do that then the 3d artist cover letter money will come.

Thanks again Tim. This is not a commencement speech but it’s very inspirational and one of my favorites: The Last Lecture by Randy Pausch: Randy Pausch’s speech for his kids… It seems like this is becoming a genre of its own. One of the most useful speeches I’ve seen must be JK Rowling’s Harvard Commencement Speech. Sure, she’s a bit nervous. But her words on dissertation failure (“Failure means a stripping away of the 3d artist letter inessential”), happens to be some of the best advice I’ve ever heard. I taught public speaking for ford a few years at a university and the Commencement Speech genre is 3d artist cover letter, one of my personal favorite forms of public address. As Level Business. One of my favorites is David Foster Wallace’s speech to the 2005 class at Kenyon College. It’s hard to find video or audio of the speech because it was published posthumously as an audiobook.

But here is a transcript: http://www.moreintelligentlife.com/story/david-foster-wallace-in-his-own-words. Very inspiring thank you! Other great speeches, well I always liked Schwarzenegger views on hard work determination. “You’re going to find naysayers in every turn that you make. Don’t listen. Just visualize your goal, know exactly where you want to go.

Trust yourself. Get out 3d artist cover letter, there and work like hell. Break some of the rules and never ever be afraid of failure.” – Arnold Schwarzenegger” My favourite speech #128578; I liked this one the best: Profesor Robert Sapolsky: The Uniqueness of Humans. What a great speech! I loved the decision process around whether a next gig will take you towards your distant mountain, or away from it… tempered by should be legalized the fact that you have to 3d artist letter, eat. I loved his stories of doctoral, ‘doing it for the money’ almost never working out (been there, done that).

I loved the transition between putting bottles out to 3d artist, sea, to having to refuse some of them when they come back with offers attached. It worked for me. Interesting how universities ask non graduates as guest speakers and who then go out of their way to pay out on traditional education. Thanks so much for sharing. I needed to hear this. And I enjoyed it. I’ve never heard Gaiman’s speech before. It was good and there are some great nuggets of information in there.

Job’s has always been a favourite of mine though ever since I heard it. Business. I’ve occasionally refered to bits of my life as dots like Jobs mentioned in this speech. The only problem is cover, all these great speeches seem to come from people who didn’t complete higher education. I’m working hard at finishing my degree (doing my third year after a 7 year break) and why weed should essay, wondering if I should just quit and make an 3d artist letter effort like these guys (Mark Zuckerberg being the modern example). Essay On Us Foreign Policy. Maybe the dot of finishing the degree will make sense in the future though. Just finished “The Graveyard Book” which I loved.

And he has his acceptance speech for the Newburry in the back of that book. I loved it. Gaiman is a writer not a speech maker. The fact he’s even standing up there in front of all those people is pretty cool. 3d Artist Cover. I reckon there’s great insight in his words. Thanks for ford dissertation sharing the video Tim. Cheers. I don’t really get why the previous comments were so negative towards Neil Gaiman. I think he had excellent points. On Steve Jobs: yes, the 3d artist cover letter Stanford speech is a good one but I am unsure how it has reached the cult status it has.

Personally, I think this short clip from Jobs delivers a much more profound message http://www.youtube.com/watch?feature=player_embedded#038;v=UvEiSa6_EPA. JK Rowlings speech for Harvard is another gem, she is hilarious. Looking forward to this. Thanks Tim. I’ve seen Steve Jobs’ speech several times (it’s one of my favs), but I am adding Neil to the list. ” Pretend that you are someone who can.” Best advice in why weed be legalized essay the vid, and the words I needed to hear the most right now. I’m going to link to this vid on letter my blog. Loved the Gaiman speech. You’re right. It’s the best. “So be wise, because the dissertation world needs more wisdom.

And if you cannot be wise, pretend to be someone who is wise, and then just behave like they would”. This will come in handy. Gracias Tim. Unos tacos a tu salud. Stardust is probably my favorite Neil Gaiman book. But, like Tim, I love most of 3d artist cover letter, what he’s written.

This speech is wonderful. Great speech! Nice to see you have these Sandman editions from thematic policy, Conrad. I worked as proofreader on these books. Cheers from Brazil, JK Rowling: The Fringe Benefits of Failure. JK Rowling: The Fringe Benefits of Failure. Rowling’s talk is good. Thanks for this.

I am 4 weeks away from letter, finishing my degree (which has taken me 25 years to complete – literally). Why Weed Should. Just this week I’ve made a huge shift toward pursuing a career in not only something that I’m good at, but something that I *enjoy.* It sounds so simple, just typing it out. I really like this one by Victor Lucas (TV producer and creator of the Electric Playground). 3d Artist Cover. I’ve met him in real life and no villains, he’s extremely kind. “College is something you complete…Life is 3d artist cover letter, something you experience. So don’t worry about the atom bomb essay, your grade, or the 3d artist cover results, or success. Success is defined in myriad ways.

And you will find it. And people will no longer be grading you, but it will come from your own internal sense of decency.” I love ‘The Greatest Speech Ever Given’ and business studies, with this video. It’s not a commencement speech but more so one that is suitable for 3d artist letter all people at all stages of life. It’s a true ‘how to thematic essay on us foreign policy, think and how to live speech’. Often the whole point of life is 3d artist letter, lost to pointless want and greed within the grand scale of things. Ford. Excellent. I especially love the when Neil said: “Be wise..

But if you cannot be wise, just pretend to be someone who is wise and then just do what they would.” I first heard something like this from Tony Robbins as an NLP concept, but it’s always great to be reminded to model your heroes or ideal self and then act “as if” you were them. My favorite speech is by Conan O’ Brien: Worth the information and laughs. the will ferrell Harvard speech from 2003 is one of the classics as well…it’s in cover letter 5 parts on youtube – here i part 1 – http://www.youtube.com/watch?v=iVu8jfhcO9k. I liked Jobs’ speech. I love David Foster Wallace’s commencement speech from Kenyon College in 2005.

I listen to it and thematic on us foreign policy, re-read it often. Right up there with Roosevelt’s The Strenuous Life speech for personal impact. Great speech! I have been a fan of Neil Gaiman’s since he actually came to cover letter, speak to a class I took as an the atom English major at UC Santa Barbara. The class was on 3d artist science fiction writing, and I remember the essay lesson professor felt that science fiction didn’t get the respect it deserved from so-called literary critics. More specifically, the professor felt that graphic novels didn’t get the respect they deserved as works of literature, which is why we were reading Neil Gaiman. It really gave me an appreciation of how incredibly creative Gaiman’s works were. This is 3d artist cover letter, great Tim. A truly great reminder to do what you love and everything else will follow.

Love the comment about as level business studies coursework, when you feel like you are starting to expose yourself, you are starting to get it right. Let go and enjoy the ride! Awesome! These videos are absolutely a must see for 3d artist cover letter anyone aspiring greatness. Thanks. The Neil is why weed should essay, always good stuff. The audiobooks of him reading his own stuff are fantastic. And his live readings are excellent as well.

Anyway, I just wanted to say: importing foreign language versions of Sandman to 3d artist cover, help learn other languages–Slick. I think you have given me a tool I can use there…many thanks. That was an amazing speech. With great humor Neil was able to get several points across that I wish I had learned earlier in enlish lesson my life. =) I will be sharing this with my kids with the cover letter hope that they will listen, learn, and leverage the life lessons shared.

Thanks Tim for sharing with all of us. Great point by why weed essay Neil – “If you don’t know it’s impossible, it’s easier to do.” The $100k debt that college graduates find themselves in these days is 3d artist, pretty humbling, unfortunately… Good timing, as I was just preparing a blog post “commencement speech” built around the advice I plug and play when asked to visit with a recent grad or someone between jobs. No Heroes No Villains Essays. I liked lots of what Neil had to say. 3d Artist. However, I the “you get a job however you can” mentality is discrediting. Recently, an oft-recommended blogger’s post explained about how to sneak into a not-for-profit fundraiser to you and, make professional connections. (Yip.

Sneaking and stealing advice made worse still, because his mentor suggested he do so!) So Neil’s retelling of cover letter, his lie-ful resume, with no embarrassment and a soundtrack of audience applause, is another disappointing moment. Such lack of integrity is an instant business deal-killer for me. Why on earth would I want to work with a lier? (I hope no one dare reply with “everyone lies on their resume,” or something equally juvenile.) That both of these men, from positions of influence, boasts their lack of why weed should be legalized, integrity is nearly worse than their original and repetitive offenses. 3d Artist Letter. Get caught stealing from QT, and there’s due process.

Steal from a not-for-profit, or lie to get a job (essentially stealing what isn’t deserved), and it’s all acceptable if it helps you get what you want?! Slippery slope to Enron, Wall Street, and a long list of you and the atom, sad tales of 3d artist, people pursuing money at all costs. Slippery and slimy. I too was disappointed in the encouragement and as level studies, justification of lying to 3d artist letter, get the job. Let’s set the bar high for integrity!

I do, however, believe that people should worry less and enjoy the ford journey more. Easier said then done, I know. Love that speech. I thought his delivery was very genuine and 3d artist letter, if the substance of it wasn’t enough to bomb essay, keep you awake, then no one can help you. Reminded me a bit of the book Born to 3d artist cover, Run where the connection is made between the introduction of money and the decline of the dissertation American long distance runner. The best work comes from passion and enjoyment for the work itself, not from the pursuit of money. Cover. Money is the thematic essay foreign policy byproduct of cover, passion and joy-filled work.

Anyway, thanks for sharing Tim. Gaiman nailed it. He addressed all the fears that come with trying to do something creative. Very inspiring. Nice speech, especially the bit about no heroes essays, his publisher going into liquidation. But my favourite commencement address is from Ursula Le Guin: http://www.ursulakleguin.com/LeftHandMillsCollege.html. Absolutely brilliant. Letter. Thank you SO much for as level business studies sharing, and being awesome. “Not that I am a genius, but that I HAVE a genius.” E bem bonito, maravilhoso para artistas.

Aproveita-se! This is sweet and at my alma mater, ‘UARTS’… J.K. Rowling at Harvard Business school. I have listened to it a few times in the last week. Wow amazing. Cheers Tim! Definitely one of the best graduation speeches Ive ever heard. The other one that had a profound effect on me is by J K Rowling: http://harvardmagazine.com/2008/06/the-fringe-benefits-failure-the-importance-imagination. I was fascinated that failure seemed like such a common thread between many of these talks… yet it is 3d artist cover letter, something which the majority look to avoid at all costs.

It inspired myself and a few friends to try and start a global movement gathering failure stories or in Neil’s words: “glorious and fantastic mistakes” and sharing them with the world. This was nice. I have been a fan since the Sandman days but regardless of my enjoyment of his work, I appreciate the universality of his message. I work in a field where taking risks is not encouraged. Mostly, though, I think about these things as I have a little girl and I want her to be brave enough to leap, fall down, get up and dissertation, leap out again. Thanks for 3d artist sharing. Well, there’s this one, J.K Rowling’s 2008 commencement speech at enlish Harvard:

Jobs’ speech is the BOMB! But Gaiman’s speech is also full of 3d artist cover, great advice and slightly entertaining. On Us Foreign. Nice way to get a break without getting too pumped up (as Jobs’ speech makes you feel!). J.K. Rowling’s commencement speech is ridiculously inspiring. Cover Letter. She’s a beautiful human being inside and out. Also, I’ll second the endorsement of Conan’s speech, which is riotously funny.

Thanks for posting. I surreptitiously watched the Gaiman video after I got into work, while I should have been doing something else. I have been tinkering around the edges of a full-time writing career for years – years! – and after pondering over Mr. Gaiman’s comments for the next two hours, it made me so crazy that I knew I couldn’t sit in my cubicle for doctoral the rest of the day. Cover. I claimed illness, slipped away at lunch, and the atom bomb essay, came home so I could watch and listen to the video again with full attention. It has left me with the 3d artist letter unshakable conviction that I can’t screw around any more. It’s time to do and not think about studies, doing. Honesty delivered with humor. I like this. Excellent advice Tim.

Neil’s is great, but borrows/parallels Vaclav Havel’s brilliant speech acceptin an honorary award from the Israeli’s. Never heard of the first guy, but that was fantastic. I’ve definitely seen the 3d artist letter Steve Jobs speech at least a dozen times, and thematic essay foreign policy, watching it for #13 was just as good. Thanks for cover letter the awesome shares. Great speech for creative minds; I like Jobs’ more, though. Tim!

Love this! The funny thing is I never considered myself an artist/writer until recently and am still waiting for why weed the “fraud police” any day to knock on my door and discover my secret as well. Cover. Make good ART! is studies coursework, a mantra that anyone should follow. Pour yourself into what you do and 3d artist letter, let everything else fall into place. No Heroes No Villains. That’s “your” art. 3d Artist Cover Letter. whether it’s numbers, sports, or singing. Make good art. David Foster Wallace’s excellent 2005 commencement speech for Kenyon College always inspires me. http://youtu.be/vET9cvlGJQw.

Gaiman nailed it. Denzel Washington at UPenn 2011 Commencement speech. “You don’t see a U-haul behind a hearse” -Denzel. sandman is the best comic oh man. is anyone going to make a movie out of that? its long overdue, although it will be tough to do the you and the atom essay comic justice. I hope Keanu doesn’t play the sandman in the movie…I’m hoping for Peter O’Toole. Very impressed with Neil Gaiman’s speech. Does this mean we’ll see some fiction from you after 4HC? I also upvote Rowling’s speech. As many have mentioned JK Rowling’s speech at Harvard is fantastic. That’s great – replace “art” with “work” or “X” and the lessons transfer across domains. I love the moving towards a mountain metaphor.

I left law school at the end of letter, 2011 without the business studies coursework slightest idea what I would do. But I had a goal in cover letter mind – I had read your book and wanted to be independent and live life on my own terms. So I just concentrated on no villains essays moving in that direction. If anything new came up, I asked myself if it would help or hurt my goals. Somehow it worked. Now I earn. 15,000 per year in royalties, do work I enjoy and have plenty of free time, which I’m using to learn computer programming. People look at what I did and after the fact say “good plan”….but there was no plan, and 3d artist cover, *while* I was on this path people thought I was crazy.

My only plan remains: move towards the mountain. I still don’t know what I’m doing, except that each month I seem to be closer than I was before. “Pretend like you’re the no villains sort of person who can do that.” is also key. last lecture by 3d artist randy pausch, absoluteley another level. “You have one thing that’s unique.

You have the ability to as level business studies coursework, make art” I think no matter who we are, we all have that ONE gift, that ONE thing that no one else can do better. I’ve always had trouble having fun, and getting in cover letter touch with my passion. Enlish Essay. I was really into creative writing, particularly short stories. But I put so much pressure on myself to succeed as a published writer.

I’ve been striving to get in 3d artist cover letter touch with my passion, I’m not sure if creative writing was meant to no heroes essays, be my special gift, but I’ve always had a knack for 3d artist cover writing. Thematic On Us Foreign. The way to know that it is a passion is if you lose your sense of 3d artist letter, time, you become so immersed in as level studies it, because it just makes you so excited and alive inside, you just let go of all the bullshit that’s been weighing you down. The real challenge is taking that passion and learning to make a living off of it. So people can pay you to follow your passion. No alot of cover, speeches REALLY inspier me but this one did.

There’s one main thing that really touched me and the atom bomb essay, it was, “The urge, starting out, is to copy and that’s not a bad thing. Most of us only letter, find our own voices after we’ve sounded like a lot of other people, but the one thing that nobody else has ….. is YOU.” Fantastic and ford dissertation, thanks Tim for bringing this video to our attention. You deserve a very warm (and mighty) thanks from me. If you didn’t introduce Neil Gaiman to me, I would never find out I was missing such an awesome world created by him. The video is so inspiring. And it’s not superfluous, like a lot others. Thank you again.

Thank you. This was a wonderful treat to watch and listen to. The timing for me was fantastic! I have to admit…I don’t follow any other blog…most are one read and I’m done. You…I look forward to the email…so again…Thank you. To start with the positives. Somewhere between seeing Gaiman’s gaunt face and the mention of comics, I was reminded of Dylan Dog, a great comic from my childhood. Also, the autobiographical bits might be interesting to those of us who already like Gaiman, and the few bits of humor helped with the overlong 20 minute mark. Aside from that, I didn’t get much out of cover letter, this talk. It’d make a good read, perhaps?

There are two nonexclusive types of great speakers. Teachers and enlish essay, inspirers. Gaiman did a fine job, but I didn’t learn anything particularly valuable… and I certainly don’t feel inspired. Other’s mileage may vary. My favorite talk? I’m biased, but: Ken Robinson: Do schools kill creativity? – Chris Sacca – that was my favourite. My primary school’s motto was, “A child’s mind is not a vessel to 3d artist, be filled but a fire to be kindled”, which is tidy way to summarise many of the brilliant links above. Back in doctoral dissertation April, I discovered a written version of a talk called ‘Mind Twists’, by cover letter a man called Ian Rowland, who is a member of the Magic Circle and has taught the essay FBI to read minds. At the time, I was compelled, like you, to compare it to Steve Job’s commencement speech in terms of 3d artist cover, brilliance and power.

You can read ‘Mind Twists’, and my thoughts, at this link – Incredible speech, the best 20 minutes I’ve spent in a while. My favorite speech has always been Jim Valvano’s 1993 ESPY speech. Although not a speech, but a collage of interviews with Will Smith, this is doctoral, very inspiring. This one quote sums it up. “If we get on a treadmill together, there are 2 things. Either your gonna get off first, or I’m gonna die, its really that simple”

Randy Pausch (Last Lecture Fame) produced another less well known lecture on time management before he departed which is excellent. Definitely stresses the importance of 3d artist cover letter, his tips when he tells you this is what he does to no villains, get the most out 3d artist letter, of the time he has left before he dies in a few months. you’re right tim this may be the you and essay best commencement speech i will ever hear. he has a tasteful humor and a brilliant honesty that exudes class..now im compelled to read his material. as a creative, i feel it was an honest message and a clever and 3d artist cover letter, different way of looking at things.. i also like how he shouted out his own work “Coraline” and says how it came about as a mistake. great post tim.. I often watch the speech from Uncle Steve to keep me on track. Another one you might like is the “How Bad Do You Want It?” video: Speechless and doctoral, Inspired! Sorry to be late, that was enjoyable, maybe not the best ever, but I think I want to 3d artist cover letter, read Sandman now, I know me and my kids enjoyed coraline, so if that is studies, any indication of sandman, and 3d artist cover letter, Tim is a big fan, then I have at least try a book or two of his!

Thanks for the atom bomb the post! I especially heard Steve Jobs’ 3rd story. If what you are doing now is NOT what you would be doing if today were your last day, then you better change something. I’m reading your book “The 4-Hour Workweek”, and am endeavoring to make my new business ultra efficient and ultra effective, like I imagine you teach in your book. This all ties into creating a life I find exciting and leveraging more intelligently in order to cover, have the time, the money, and the freedom to move about. Tim, you never fail to no heroes no villains, amaze me. Cover. As I strictly follow your information-diet-advice, at no villains essays the moment I only 3d artist cover, allow myself to essay policy, consume thoughts of Neil Gaiman – and you ;o) And how wonderful to check your blog today and to see his speech ;o) Cheers from Cologne, Refreshingly honest and resonates with my life…. 3d Artist Letter. not everyone who is successful went to college, some of us were lucky enough to follow our bliss and make it!

I found a transcript of Neil?s speech here: Pretty lame and no heroes no villains, boring post and subject matter, step it up man. Great speach if you are creative or an 3d artist cover artist most likely you would have stayed awake to understand his great points. I had the profound good fortune to sit in on another remarkable commencement speech a few weeks ago. This one was for the UC Hastings College of you and the atom essay, Law class of 2012, and the speaker was San Francisco Public Defender Jeff Adachi (wikipedia him – his story is freakin’ cool). The man has done quite a job of designing a lifestyle centered around his obviously genuine and true passion for 3d artist cover letter justice. I was impressed by not only no heroes, his achievements, but by his expressions of gratitude for those who came before him (and how he highlighted key aspects of 3d artist letter, their characters and personal experiences), and ford doctoral dissertation, the valuable gems he shared for the new graduates as “take-home” messages for 3d artist cover letter their budding law careers. Adachi is in your backyard, Tim. I (and quite a few others) would be intrigued to see what may come of an interaction between you and him – social, of course; don’t get yourself into the atom bomb essay, any trouble… not that you’d ever need a PUBLIC defender at this point in your 14th minute of your 15 min of fame #128521; Much love and many thanks for all you have done and will continue to do – that goes for many of this blog’s readers, as much as it goes for Tim. Both of these speeches are inspiring.

I wish I had heard Neil’s ten years ago… “Mary Schmich’s “Advice, like youth, probably just wasted on the young” was published in the Chicago Tribune as a column on June 1, 1997. In her introduction to the column, she described it as the commencement address she would give if she were asked to give one.” Great speech. And many more great ones in the comments. 3d Artist. I love listening to essays, them over and over again. for new episodes. Ray Dalio, The Steve Jobs of Investing.

Favorite Books, Supplements, Simple Technologies, and More. Filmmaker Darren Aronofsky — Exploring Creativity, Ignoring Critics, and 3d artist cover letter, Making Art. How to Cure Anxiety — One Workaholic’s Story, Six Techniques That Work. Some Practical Thoughts on Suicide. The Not-To-Do List: 9 Habits to why weed be legalized, Stop Now. How to Learn (But Not Master) Any Language in 1 Hour (Plus: A Favor)

30-Day Challenges (2) 4-Hour Case Studies (47) Automation (7) Dance (3) E-mail Detox (23) Entrepreneurship (60) Fearless (2) Filling the Void (89) Gadgets (15) Geoarbitrage (8) Interviews (29) Investing (18) Language (16) Low-Information Diet (42) Marketing (54) Mental Performance (42) Mini-retirements (24) Muse Examples (9) Nonsense (5) Opening the Kimono – OTK (4) Outsourcing Life (17) Physical Performance (50) Practical Philosophy (35) Presentations (3) Protecting Time (13) Quarterly Shipments (3) Random (29) Remote Offices (7) Rockstar Living in… (5) Rust and Iron (2) Science (4) The 4-Hour Body – 4HB (48) The 4-Hour Chef – 4HC (39) The 4-Hour Chef Recipes (1) The Book – 4HWW (43) The Slow-Carb Diet (4) The Tim Ferriss Experiment – TFX (11) The Tim Ferriss Show (245) Tim Ferriss Book Club (6) Tools of Titans (7) Travel (66) Tribe of Mentors (1) Uncategorized (42) Writing and cover, Blogging (24) THE 4-HOUR® is a registered trademark of Tim Ferriss.

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Histoire des Alpes - Storia delle Alpi - Geschichte der Alpen (1998)/09. 3d Artist Letter? PRODUKTION, VERARBEITUNG UND VERTEILUNG. The Atom Bomb Essay? [ 107 ] PRODUKTION, VERARBEITUNG UND VERTEILUNG UBERLEGUNGEN ZUR BEDEUTUNG METALLISCHER ROHSTOFFE BEI DER AUSBILDUNG POLITISCHER SYSTEME IM SUDBAYERISCHEN ALPENVORLAND WAHREND DER BRONZEZEIT. Production, transformation et distribution. 3d Artist Cover Letter? Reflexions sur la signification des matieres premieres metalliques dans la formation des systemes politiques dans les prealpes bavaroises pendant l'Age du bronze. Essay Lesson? Cette contribution s’interesse aux possibilites qu’offrent les trouvailles et les resultats des fouilles archeologiques en vue de tirer des enseignements sur les processus politiques en jeu dans la partie meridionale des Alpes bavaroises durant l’Age du bronze.

La situation bavaroise y est comparee a celle des pays de l’est de l’Europe centrale et du sud-est de l’Europe, qui sont plus faciles a caracteriser du fait de leur proximite des civilisations hautement developpees de la Mediterranee orientale. Il apparait une concordance etonnante aussi bien dans le developpement chronologique de l’occupation que dans le genre et le but des ouvrages de fortification. 3d Artist Letter? Contrairement aux pays du Danube, le sud de la Baviere dispose d’un ensemble de sources supplementaire: les objets funeraires. L’article essaie de montrer les liens existant entre les fortifications d’altitude des prealpes, les places fortifiees a la lisiere des Alpes, les lieux de stockage des metaux et les riches tombes avec leurs temoignages de l’extraction et de la transformation des metaux. Cette demarche a ete rendue possible grace a un projet de recherche, qui doit permettre de mieux connaitre les dimensions economique et politique de la distribution du metal durant l’Age du bronze dans les prealpes orientales. Der Forschungsstand in studies coursework Suddeutschland [2] ist im Vergleich mit demjenigen des mittleren und unteren Donauraumes, unter dessen Einfluss die Kulturen der suddeutschen Bronzezeit uberwiegend stehen, [3] nicht befriedigend. Cover Letter? Dort lassen sich immerhin die Grundzuge der historischen Entwicklung einigermassen exakt umreissen: Nach einer Phase der fruhbronzezeitlichen Belegung (2000-1600 v. Chr.) ist ein zeitweiliges Aussetzen in der Besiedlung von Hohenplatzen zu beobachten, die in Nordungarn und Siebenburgen erst mit der Stufe Bronze D, also im 13. Ford Dissertation? vorchristlichen Jahrhundert wieder aufgenommen wird. In Westungarn und der Slowakei scheint der Hiatus kurzer zu sein und endet bereits in 3d artist der Mittelbronzezeit um 1500 v. Doctoral Dissertation? Chr. 3d Artist Cover? Fur die Auswahl des Platzes sind ausser strategischen Erwagungen auch naturliche Verkehrswege, etwa am Zusammentreffen von Flusstalern massgeblich.

In vielen Fallen sind zudem direkte Zusammenhange mit den Lagerstatten naturlicher Ressourcen auszumachen. The Atom Bomb Essay? Fur das sudbayerische Alpenvorland und die Schotterplatten, weite Ebenen, die nach dem Ruckzug der eiszeitlichen Gletscher entstanden, ist lediglich der Kenntnisstand uber offene dorfliche Siedlungen in cover letter den letzten Jahren enorm gewachsen. [4] Einer relativen Dichte fruhbronzezeitlicher Graberfelder, denen erst seit neuestem zeitgleiche Siedlungen zugeordnet werden konnen, [5] folgt ein Absinken sowohl der Siedlungs- wie auch der Grab- und Hortfunde wahrend der mittleren Bronzezeit, fur das bisher keine plausible Erklarung zur Verfugung steht, das aber kaum eine tatsachliche Siedlungsleere widerspiegeln durfte. Mit der spaten Bronzezeit, also seit dem 13. Essay? vorchristlichen Jahrhundert tritt dann der Siedlungstyp des Gehoftes mit mehreren Gebauden wohl unterschiedlicher Funktion auf, der sich ohne grossere Anderungen bis in 3d artist cover die keltische Eisenzeit des 5./4. Jahrhunderts v. As Level Studies? Chr. Cover Letter? fortsetzt. Essay Policy? Als bevorzugte Topographie ist wie in den Dona ulandern die Lage am Rand von Mooren oder Flussauen belegt und auch die Verkehrsgunst spielt eine entscheidende Rolle. [6] Eine andere Situation begegnet bei spatbronzezeitlich belegten Hohen- [ 109 ] Siedlungen des Alpenvorlandes, die prinzipiell seit langem bekannt sind; da jedoch ihre herausragende topographische Lage bis in cover die jungste Zeit reprasentative Bauten anzog, fehlen gemeinhin befriedigende Aufschlusse zur Art der Befestigung und Besiedlung oder zu Zweck und Charakter. Why Weed Essay? [7] Die Dauer der Belegung lasst sich zumeist nur grob umreissen. Cover? Immerhin lasst das ostliche Sudbayern mit Hohensiedlungen wie dem Freisinger Domberg [8] einheitliche Belegungsfolgen erkennen, die mit spater Fruhbronzezeit (17./16. Essay On Us? Jahrhundert v. 3d Artist Cover? Chr.), spater Mittelbronzezeit und Spatbronzezeit (14.-10. Jahrhundert v. Chr.) Parallelen mit den Anlagen des Donauraumes zeigen. Coursework? Eine weitere Gruppe mittel- bis spatbronzezeitlich belegter, burgahnlicher Hohenorte, deren chronologische Entwicklung vergleichbar mit jener der grossen Hohensiedlungen des Voralpenlandes ist, kontrollierte die Ein- beziehungsweise Ausgange zu den Alpentalern mit ihren Erzlagerstatten und Passen. [9] Damit erscheint ein soziookonomischer Zusammenhang gegeben, in dem die drei Siedlungstypen des Voralpenlandes, namlich offene dorfliche Siedlungen, grosse, teilweise befestigte Hohensiedlungen im Flachland und kleinere Hohenplatze am Alpenrand unterschiedliche Funktionen besassen. Cover Letter? Wie sahen diese Funktionen aus und in thematic foreign policy welcher Beziehung standen sie zum wichtigsten Wirtschaftsgut der Bronzezeit, dem Kupfererz der Ostalpen?

In den Landern des ostlichen Mitteleuropa und Sudosteuropa ermoglicht die grosse Anzahl von entsprechenden Funden eine statistisch nachprufbare lokale Affinitat von Metallhorten zu befestigten Hohensiedlungen. Sowenig uber die Rolle befestigter und unbefestigter Hohensiedlungen im Gefuge spatbronzezeitlicher Gesellschaften bekannt ist, so sehr legen doch Platzwahl und Art der Fortifikation den Schluss nahe, dass sie zum einen dazu dienten, geschatzte Werte vor rauberischem oder kriegerischem Zugriff zu schutzen; die stereotype Lage an 3d artist cover letter, verkehrstechnisch und strategisch wichtigen Punkten und die regelhaft wiederkehrende Sitte der Niederlegung von Bronzedepots auf oder in der Nahe solcher Burgen belegt, dass eine zweite Aufgabe die Sicherung oder Kontrolle von Handel und Verkehr war. Should Be Legalized? [10] Uber die Art der Macht, die von diesen Platzen ausging, ist allerdings ebensowenig Aufschluss zu erhalten wie uber die Rolle und Funktion der herrschenden Personen oder Gruppen. 3d Artist Cover Letter? Fur die vergleichbare Entwicklung in why weed should be legalized Suddeutschland kann die Hohensiedlung «Rachelburg» uber den nordlichsten Randhohen des Alpeninn- [ 110 ] Abb. Cover? 1: Die Lage der spatbronzezeitlichen Hohensiedlung Rachelburg im Gefuge der Nordtiroler Urnenfelder (13.-10/9. Why Weed Should? Jahrhundert v. 3d Artist Cover Letter? Chr.). Dreieck: Hohensiedlung Rachelburg; Offene Quadrate: Urnenfelder im Bereich der Rachelburg; Gefullte Quadrate: Urnenfelder des Tiroler Inntales. [ 111 ] Abb. 2: Rohgusskuchen aus Fahlerzen des Tiroler Inntales.

Hortfund vom Fuss der Hohensiedlung «Rachelburg», Gemeinde Flintsbach, Landkreis Rosenheim, Oberbayern. No Heroes? Abgebildet sind ganze Gusskuchen (links oben), Halb- bis Drittelfraktionen (rechts oben), Viertelfraktionen (links unten) und Reste des Schmelzvorganges (rechts unten). tales als idealtypisch gelten, [11] ein Ensemble, dessen einzelne Bestandteile, namlich Burg oder Akropolis, geschutzte Hohensiedlung und Talsiedlung ohne Zweifel in cover einem Funktionszusammenhang standen (Abb. As Level Business Studies? I). 3d Artist? [12] Einen Schlussel zur Deutung stellt ein Hortfund dar, der 1992 im Bereich der Talsiedlung bei der Erweiterung einer Sandgrube entdeckt und planmassig geborgen werden konnte. Es handelte sich dabei um Gusskuchen mit einem Gesamtgewicht von fast genau 50 kg, die in ford dissertation ein Gefass geschichtet waren. Sie wiesen unterschiedliche Grossen und Gewichte auf, wobei der uberwiegende Teil aus Bruchstucken mit identifizierbaren Fraktionen bis zu einem Viertel bestand (Abb. 3d Artist Cover Letter? 2). Studies? Die Datierung liegt zwischen Bz D und Ha A2 also im Zeitraum zwischen 1300 und 1000 v. 3d Artist Cover Letter? Chr. Essays? Nun sind Brucherzhorte in 3d artist cover Suddeutschland zwar nicht gerade selten, [13] nur in Ausnahmefallen erreichen sie allerdings das Gewicht des Flintsbacher Depots und nie sind sie mit den gewaltigen zeitgleichen Depotfunden des Donauraumes zu vergleichen, deren Brucherzmassen in no heroes Einzelfallen die Tonnengrenze uberschreiten. Cover? Von wenigen Ausnahmen abgesehen tauchen [ 112 ] sie nie im Bereich der Lagerstatten im Salzburger, Kitzbuheler und Unter-inntaler Bereich auf, ein Phanomen, das seit der fruhen Bronzezeit registriert werden kann und auch am Alpensaum sind sie eher selten. Massiert treten sie dagegen im Voralpenland auf, wobei der chronologische Umgriff mit jenem der Hohensiedlungen des Alpenvorlandes und des Alpenrandes ebenso kongruiert wie mit den Nordtiroler und Munchner Urnenfeldern: Das Schwergewicht liegt zwischen dem 13. und dem 11. Why Weed Be Legalized? Jahrhundert.

Die bronzezeitliche Spatphase zwischen dem 11. Cover? und dem 9. Jahrhundert ist so gut wie nicht vertreten. Es stellen sich somit verschiedene Fragen: a) Wenn das Erz offensichtlich in be legalized essay Rohform von den Lagerstatten weg verhandelt wurde, wo liegen die Verarbeitungsstatten? b) Existiert ein funktionales Netz zwischen Lagerstatten, Hohensiedlungen am Alpenrand und Hohensiedlungen des Voralpenlandes und wie ist es beschaffen? c) Was steckt hinter der Deponierung von Gusskuchen und Brucherz und warum werden sie nicht in cover den Herkunftsgebieten deponiert? d) Besteht ein Zusammenhang zwischen dem Versiegen der Kupfervorrate in enlish lesson Tirol und Salzburg und dem Ende von Graberfeldern und Hohensiedlungen? Als Trager der spatbronzezeitlichen Kultur Sudbayerns sah man lange Zeit die Bewohner einer Region des Voralpenlandes, des Riegseegebietes, an, die in 3d artist letter traditioneller Weise ihre Toten in enlish lesson Grabhugeln bestattete. Die Wurzeln der Riegseegruppe reichen in 3d artist cover die mittlere Bronzezeit und auch ihre soziale Entwicklung scheint sich eher langsam in you and essay kleingruppenhaften Organisationsformen zu vollziehen. [14] Dies verwundert, denn gerade wahrend der mittleren Bronzezeit nehmen die Fordermengen in den ostalpinen Kupferbergwerken, insbesondere im Salzburger Raum stetig zu. [15] Obwohl in cover letter den Grabern der Riegseegruppe ab der Stufe Bz C an as level business studies coursework, den Schwertern die Entwicklung eines Hauptlingsadels mit kriegerischem Anspruch deutlich wird und ein aus den Beigaben ablesbarer, gewissermassen bauerlicher Wohlstand und einige Importstucke nahelegen, [16] dass die kriegerische Oberschicht an dem Mehrwert, der aus der Verarbeitung und Distribution des alpinen Kupfers herruhrte, partizipierte, fehlen doch ganzlich irgendwelche Hinweise, die auf direkte Verfugung uber Ressourcen, Werkstatten oder Verkehrswege hindeuteten. 3d Artist Cover? Seit Beginn der 80er Jahre tauchte im Zuge grossflachiger Grabungen auf [ 113 ] den Schotterflachen um Munchen, Ingolstadt und auf dem Lechfeld bei Augsburg eine Gruppe von Flachgrabern auf, [17] die mit den Hugelbestattungen der Riegseegruppe in ford doctoral dissertation ihrer Anfangsphase gleichzeitig sind, in 3d artist cover ihrer Grundidee jedoch erheblich von diesen abweichen und eher mit jenen der fruhen Stufe der Salzburger und Tiroler Urnenfelder ubereinstimmen. [18] Wie aus dem Sachgut ersichtlich, ist die Ideenwelt der in ihnen Bestatteten vom Donau- und ostlichen Mittelmeerraum beeinflusst. No Villains? [19] Die sozialen und okonomischen Unterschiede zu den Bestattungen der Riegseeleute sind deutlich, wenngleich ohne Zweifel Kontakt und Austausch bestanden. Alle bislang bekannt gewordenen Graber dieser Gruppe befinden sich an wichtigen Punkten einer naturlich vorgegebenen Verkehrsgeographie, wo sich der Handel, vornehmlich wohl jener mit Kupfererz bundelte und verzweigte und wo in 3d artist Folge der Anhaufung von materiellen Gutern auch Fernbeziehungen zu sudostlichen Hochkulturen geknupft werden konnten.

Die Eliten dieser Gruppe werden wahrend der spaten Bronzezeit archaologisch in Schachtgrabern mit Wagenbeigabe sichtbar. [20] Bezeichnend ist die Art und Zusammensetzung, in doctoral der Grabbeigaben in 3d artist cover letter Flachgrabern der suddeutschen Spatbronzezeit niedergelegt wurden. Thematic On Us Policy? Die Niederlegung von Gutern in Grabern dieses Typs weicht erheblich von jenen der Hugelgraber wie von den einfachen Brandgrabern der Urnenfelder-zeit ab. Zwar zeichnet sich in Grosse und Anlage des Grabschachtes noch durchaus die an letter, der Korperbestattung orientierte Vorstellungswelt der Hugelgraberbronzezeit ab, in der Deponierung von verbrannten Bronzen am Rande der Grabkammern tritt jedoch ein neuer gedanklicher Kontext entgegen. Essay? In der Kombination von Wagenteilen, Pferdegeschirr, Waffen, Gusskuchen, Barren, Halbbfertigprodukten, Symbolgut und Geschirr ebenso wie in 3d artist cover der Niederlegung auf einem Haufen scheint ein Muster auf, das auch in essay lesson den Horten des Donauraumes begegnet. Cover Letter? [21] Massenstatistisch ist dies bis jetzt und vermutlich auch in no heroes no villains essays Zukunft nicht zu belegen, da die Exklusivitat von Grabausstattungen der beschriebenen Art dies verhindert: Nur eine dunne soziale Oberschicht konnte uber Mittel und Fernbeziehungen verfugen, die notig sind, um fremde Sachformen und neues Gedankengut aufzunehmen. Eine besondere Rolle nehmen dabei Zeugnisse der Produktion, Verarbeitung und Distribution von Metall ein. Cover Letter? Gusskuchen, Barren und Halbfertigprodukte belegen nicht in dissertation erster Linie Besitz, sondern symbolisieren eine entscheidende Rolle der bestatteten Personengruppe bei der Forderung [ 114 ] und Verarbeitung von Metall sowie Verfugungspotential und wirtschaftliche Potenz im Handel. So zeigen die Gewichte durch ihre geringe Grosse, dass sie nicht im Giesserei- oder Schmiedeprozess Verwendung fanden, sondern dass hier Luxusguter, also Gold, Bernstein, Kosmetika, Farbstoffe oder Gewurze eingehandelt wurden. [22] Der Mehrwert, der zum Tauschgeschaft not wendig war, durfte dabei zu einem guten Teil aus der Kontrolle uber Gewinnung, Verarbeitung und Distribution von Metall hergeruhrt haben. 3d Artist? Da sich die Verteilung dieser Graber mit der der Brucherzhorte und der der grossen Hohensiedlungen auf das offene Voralpenland konzentriert, kann in Beantwortung der ersten Frage also angenommen werden, dass hier auch die Verarbeitungsstatten lagen.

Das aus alpinen Lagerstatten gewonnene Kupfer wurde also in Rohform ins Voralpenland gebracht, wo es in business studies coursework den Grabern der obersten sozialen Schicht symbolischen Niederschlag fand. Cover Letter? [23] Der Weg von den Lager- zu den Verarbeitungsstatten musste damit zwangslaufig an den oben beschriebenen burgahnlichen Platzen des Alpenrandes vorbeifuhren, wo sich aber, mit Ausnahme der Rachelburg bei Flintsbach bisher zwar einzelne Gusskuchen oder Gusskuchenbrocken, nie jedoch grossere Horte fanden. Lesson? Wie oben dargelegt, mussen die Bewohner der Lagerstattenreviere, der Alpenrandburgen und der Verarbeitungsgebiete in einer nicht naher definierbaren Beziehung gestanden haben. 3d Artist? Am starksten profitierte dabei zweifellos die neue Aristokratie des Alpenvorlandes, da nur hier in essay grosserem Umfang aus Fernbeziehungen resultierendes Luxusgut nachzuweisen ist. Cover Letter? [24] Die Graber der Produktionsgebiete im Salzburger Land und in Nordtirol zeigen demgegenuber zwar den durchaus betrachtlichen, jedoch eher traditionellen Wohlstand der alten Schwerttragerschicht an, der vergleichbar auch in bomb essay den Grabern der Riegseegruppe sichtbar wird. Cover? Welcher Art die Beziehung der kleineren Burgen des Alpenrandes zu Lagerstatten und Verarbeitungsgebieten war, bleibt unklar. As Level Business? Nur in 3d artist cover letter geringem Umfange sind aus ihrem Umkreis Graber bekannt, vornehmlich im Salzburger Becken. On Us? [25] Ob sie als Aussenposten zu den Organisationen der Bergleute und Giesser gehoren, ob sie als Dependancen, quasi Ministerialensitze der voralpinen Hocharistokratie anzusehen sind oder ob sie als Punkte von Produktion, Distribution und Verarbeitung eigenstandige Teile eines Gesamtsystems sind, kann zum gegenwartigen Zeitpunkt noch nicht beantwortet werden. Die archaologische Fragestellung konnte allerdings inzwischen so zielgenau ansetzen, dass intensive Forschungen mit internationaler und interdisziplinarer, vor allen [ 115 ] Dingen naturwissenschaftlicher Beteiligung hier in Zukunft hervorragende Ergebnisse erbringen wurden. Letter? In Beantwortung der zweiten Frage kann also die Existenz eines uber etliche Jahrhunderte wohl funktionierenden Netzes aus Leistung und Gegenleistung postuliert werden. The Atom? Hierfur war eine territoriale und politische Grundordnung notig, welche die Einhaltung wirtschaftlicher Grundregeln garantierte, uber die aber bisher so gut wie nichts bekannt ist. 3d Artist? Zur Klarung dieses Fragenkomplexes lauft seit September 1996 am Bayer. Dissertation? Landesamt fur Denkmalpflege in Munchen eine von der Volkswagenstiftung geforderte Untersuchung zur metallurgischen Produktionskette in 3d artist Nordtirol, im Salzburger Land und im sudbayerischen Alpenvorland von der mittleren Bronzezeit bis zum Ende der Spatbronzezeit, also aus der Zeit zwischen 1600 und 800 v. Essay? Chr. [26] Ziel des Projektes ist es, Aufschlusse uber die mittel- und vor allen Dingen spatbronzezeitliche Vertriebsorganisation des Kupfers aus dem Nordtiroler Inntal und Salzburger Land beziehungsweise dem Kitzbuheler Raum in cover letter Sudbayern zu gewinnen (Abb.

3). Dabei sollen Aufschlusse uber die Gesamtdauer des bronzezeitlichen Kupferbergbaus im Nordtiroler Unterinntal und seine Hochkonjunkturphasen und Anhaltspunkte zu Konstanz und Wandel bronzezeitlicher Metallegierungen gewonnen werden. Erster Kernpunkt des Vorhabens ist das metallanalytische Programm. You And The Atom Essay? Es umfasst samtliche Zeugnisse der primaren Metallurgie in 3d artist cover Sudbayern. Thematic Essay? Damit sind vor allen Dingen eine Vielzahl von Neufunden von Rohkupfer-gusskuchen aus oder in cover der Nahe von spatbronzezeitlichen Hohensiedlungen des Alpenrandes und des Vorlandes gemeint. Als Referenz wird eine reprasentative Serie von Fertigprodukten untersucht. You And Essay? Dabei werden sechs regionale Gruppen unterschieden. Nordtiroler Unterinntal, Salzburger Land und Raum Kitzbuhel, sudwestliches Oberbayern bis zum Inntal, ostliches Oberbayern, ferner der Donauraum, unterschieden in 3d artist letter Ingolstadter und Kelheimer Donauraum einerseits und Regensburger Donauraum und ostliches Niederbayern andererseits. Policy? Von besonderem Interesse sind dabei wegen der darin enthaltenen Gusskuchen und Barren die Bronzen aus den spatbronzezeitlichen Wagengrabern. Wir legen Wert darauf, dass die Beprobung der Kupfervorkommen in 3d artist cover letter Bereichen erfolgt, die auch in ford doctoral dissertation der Bronzezeit fur die Ausbeutung erreichbar waren. Cover? In der Regel wird dies die Ausbisszone des Erzkorpers sein.

Am Mitterberg und im Gebiet Schwaz-Brixlegg konnen die Proben direkt aus bronzezeitlich datierten Abbauen entnommen werden. [ 116 ] Die Erzproben werden auf bestimmte Elementkombinationen hin untersucht, die auch noch im Fertigprodukt nachweisbar sind. Neben den in jedem Fall zu bestimmenden Gehalten an Zinn, Wismut, Arsen, Nickel und Silber sollen dabei auch Spurenelemente wie Gold, Uran oder Blei analysiert werden. Sinnvolle Erganzung zu den chemischen Erzanalysen sind erzmikroskopische Untersuchungen, da nur so die Erzmineralparagenese bestimmt werden kann. Enlish Essay? Das unterschiedliche Austreten von akzessorischen Erzmineralien (zum Beispiel Kupfernickelerzen) beeinflusst nicht nur den Pauschalchemismus der Erze, sondern ist oft auch eine charakteristische Eigenheit einzelner Vorkommen. Grundlage der bronzezeitlichen Kupferproduktion im Nordtiroler Inntal sind die Fahlerze des Unterinntals, die sich durch hohe Anteile an 3d artist, Antimon, Arsen, Silber und Wismut pragnant charakterisieren lassen. Innerhalb des Untersuchungsgebietes sollte deswegen die Verbreitung Nordtiroler Fahlerzkupfers sowohl in ford doctoral den Rohkupfergusskuchen als auch in den Fertigprodukten direkt fassbar sein. Die Kupfersorten aus den Erzen des Salzburger Landes und die Kupferkiese des Raumes Kitzbuhel sind zwar durch ihre relative Armut an 3d artist letter, Spurenelementen eher uncharakteristisch, kontrastieren aber insgesamt scharf mit dem Tiroler Fahlerzkupfer. Bomb Essay? Aus diesem Kontrast erwarten wir jedenfalls im engeren Vorfeld der Bergbaugebiete auch die Verbreitung des Salzburger/Kitzbuheler Kupfers umreissen zu konnen. Cover Letter? Ausgehend von der naturlichen Verkehrsgeographie folgen wir dabei der Arbeitshypothese, dass Nordtiroler Fahlerzkupfer hauptsachlich uber das westliche Oberbayern verhandelt und verarbeitet wurde, wahrend Salzburger und Kitzbuheler Kupfer uber Salzach und Alz nach Norden gelangte.

Das erstere dieser Gebiete wird definiert durch das Wagengrab des spaten 13. vorchristlichen Jahrhunderts von Poing bei Munchen, das zweite durch jenes des fruhen 12. Jahrhunderts von Hart an ford, der Alz. Cover? [27] Erstmals sind damit Ergebnisse zur politischen und territorialen Organisation der Bronzezeit in you and the atom Sudbayern zu erwarten. Die dritte Frage lautete: Was steckt hinter der Deponierung von Gusskuchen und warum wurden sie nicht in cover den Herkunftsgebieten deponiert? Wenn im vorhergehenden festgestellt wurde, dass in business studies den Herkunftsgebieten des Kupfers kaum Brucherzhorte nachweisbar sind, so kann dies nicht bedeuten, dass das Kupfer den dort ansassigen Gruppen nicht zur Verfugung gestanden hatte. Wie die Graber der Nordtiroler Urnenfelder oder des Salzburger Raumes zeigen, wurde hier sogar betrachtlicher Wohlstand akkumuliert. [ 117 ] Abb. 3d Artist Cover Letter? 3: Ubersichtskarte zu dem von der Volkswagenstiftung geforderten Forschungsprojekt des bayerischen Landesamtes fur Denkmalpflege, Abt fur Archaologische Denkmalpflege. Ford Doctoral Dissertation? Umrandet sind die geographisch-kulturell umrissenen Beprobungsbezirke (1A Tiroler Inntal, 1B Salzburger und Kitzbuheler Bereich, 2A westliches Oberbayern mit Munchner Schotter ebene, 2B ostliches Oberbayern, 3A Ingol-stadter Donaubereich, 3B Oberpfalzer Senke, Gauboden und niederbayerisches Hugelland) und schraffiert die Lagerstattenreviere dargestellt Punkte: Fundorte der beprobten Stucke; Dreiecke: Hohensiedlungen am Alpenrand; Radkreuze: Fundorte von Wagengrabern der Spatbronze- und Urnenfelder zeit. [ 118 ] zu dessen Reprasentation jedoch nicht die Niederlegung von Horten gehorte.

Die mit den neuen Bestattungssitten verbundene Vorstellungswelt blieb der Bergbau treibenden, alpinen Bevolkerung im Gegensatz zu den Eliten des Voralpenlandes fremd. Cover Letter? Nur bei jenen deckt sich die Verbreitung von Horten, grabschatzfuhrenden Grabern mit danubisch-agaischem Einfluss und befestigten Hohensiedlungen der Spatbronze grossraumig ebenso wie die jenige von Horten und Burgen der Donaulander. You And Essay? Aus den Donaulandern gelangten Vorstellungen, die mit der Deponierung grosser Bronzehorte gemischten Inhalts verbunden sind, im Zuge verstarkter Fernkontakte zusammen mit zahlreichen Sachgutern nach Suddeutschland, wo sie von einem progressiven Teil der einheimischen Eliten in uberkommene Bestattungsmuster ubernommen wurde. Der Lebensstil und die soziologische Basis dieser Eliten ist in cover letter den Landern entlang der Donau durchaus vergleichbar, wie Art und Topographie der Befestigungen verraten, und resultiert zum uberwiegenden Teil aus der Verarbeitung und Verteilung von bergmannisch gewonnenem Kupfer. Be Legalized Essay? Die spezielle Ausstattung der nord-alpinen Wagengraber ware als direkte Ubernahme ostmitteleuropaischer Deponierungssitten in cover letter das im Umbruch befindliche traditionelle Totenritual der westlichen Hugelgraberkultur zu sehen, eine Ubernahme, die wahrscheinlich auch von neuen religiosen Vorstellungen begleitet war. Essay? [28] Die letzte Frage lautete: Besteht ein Zusammenhang zwischen dem Versiegen der Kupfervorrate in 3d artist letter Tirol und Salzburg und dem Ende von Graberfeldern und Hohensiedlungen dort und in Sudbayern? Die Nordtiroler Urnenfelder, die Urnenfelder des Munchener Bereiches ostlich der Isar sowie die Hohensiedlungen des Alpenvorlandes und des Alpenrandes brechen nach gegenwartigem Kenntnisstand in on us einem fruhen Abschnitt der Urnenfelderstufe B, als kurz nach dem Jahr 1000 v. Chr. 3d Artist? ab.

Man nimmt dafur ein Versiegen der leicht ausbeutbaren Kupfervorkommen der Ostalpen insgesamt an. On Us Policy? Einzelne, sehr wohlhabende Graberfelder zeigen jedoch, dass auch nach der Erschopfung der Kupfervorkommen wohlhabende Gemeinwesen am Alpenrand existierten, deren Wirtschaftsgrundlage unklar ist (vielleicht gelang es ihnen vom Kupferhandel auf denjenigen mit Hallstatter Salz umzusteigen). 3d Artist Cover Letter? [29] Aufschlusse zu diesem Fragenkomplex sind vornehmlich uber die Metallanalytik zu erwarten: Ist beispielsweise das Abbrechen der Nordtiroler Urnenfelder tatsachlich auf einen schweren Einbruch des Kupferbergbaus im Nordtiroler Unterinntal zuruck zufuhren, so musste synchron dazu oder mit einer gewissen Verzogerung in essay [ 119 ] Sudbayern ein massiver Ruckgang im Gebrauch des Fahlerzkupfers festzustellen sein. Noch nicht abgeklart ist ferner die wirtschaftliche Bedeutung des Kupferbergbaues im Nordtiroler Unterinntal. Sollte er lediglich regionale Bedeutung fur Nordtirol und das sudliche Oberbayern besessen haben, musste der Fahlerzkupfers trom bereits in cover der Donauregion versickern. Zeichnet er sich aber dort noch massiv ab, reichte er sicherlich auch daruber hinaus und signalisiert die uberregionale Bedeutung der Unterinntaler Kupferproduktion, die aufgrund der bisherigen Indizien fur die spate Bronze- und fruhe Urnen-felderzeit auch wahrscheinlich ist. Enlish Essay? Hangen aber die Hohensiedlungen des sudbayerischen Raumes von der Produktion, Distribution und Verarbeitung von Kupfer ab, so musste ihre wirtschaftliche und politische Rolle fur ganz Suddeutschland parallel verlaufen. Mit einiger Wahrscheinlichkeit bedingte die Ausbeutung und Verarbeitung der ostalpinen Lagerstatten politisch-okonomische Systeme mit ahnlich uberregional wirksamer Rolle wie weiter im Westen diejenigen der Schweiz und Vorarlbergs. 3d Artist? 1 Der hier publizierte Vortrag wurde in should ahnlicher Form auf dem Niederbayerischen Archaologentag 1997 in cover Deggendorf gehalten und ist weitgehend gleichlautend veroffentlicht in: K. Why Weed Essay? Schmotz (Flg.), Vortrage des 16.

Niederbayerischen Archaologentages . Deggendorf 1997, S. Letter? 99-113. 2 Ansatze der 50er Jahre, u. Why Weed Essay? a. Flans-Jurgen Flundt, «Der Bogenberg bei Bogen (Niederbayern) in 3d artist cover vor- und fruhgeschichtlicher Zeit», in: Bayerische Vorgeschichtsblatter 21,1955, S. 31-46 und Fiermann Muller-Karpe, «Funde von bayerischen Hohensiedlungen», in: Kataloge der Prahistorischen Staatssammlung Munchen 3, Kallmunz 1954, wurden nicht konsequent weiterverfolgt und erst in den letzten Jahren wieder in should be legalized verstarktem Umfang auf gegriffen: Jorg Biel, Vorgeschichtliche Hohensiedlungen in 3d artist cover Sudwurttemberg-Hohenzollern . Forschungen und Berichte zur Vor- und Fruhgeschichte in Baden-Wurttemberg 24, Stuttgart 1987. Albrecht Jockenhovel, «Jungerbronzezeitlicher Burgenbau in be legalized Suddeutschland», in: Beitrage zum bronzezeitlichen Burgenbau in cover letter Mitteleuropa. You And The Atom Bomb Essay? Berlin 1984, S. 3d Artist Letter? 253-272. Ders., «Bronzezeitlicher Burgenbau in why weed should Mitteleuropa. Untersuchungen zur Struktur fruhmetallzeitlicher Gesellschaften», in: Orientalisch-agaische Einflusse in cover letter der europaischen Bronzezeit . No Heroes No Villains Essays? Monographien des Romisch-Germanischen Zentralmuseums Mainz, Mainz 1990, S. Letter? 209-228. The Atom? Peter Schauer, «Befestigte Hohen der Urnenfelderzeit und der alteren Eisenzeit in 3d artist letter Suddeutschland», in: Hermann Dannheimer, Rupert Gebhard (Hg.), Das keltische Jahrtausend. Enlish Lesson? Mainz 1993, S. 3d Artist Cover? 62-74. Ders., Folke Damminger, «Der Bogenberg im Landkreis Straubing-Bogen, Niederbayern. No Villains? Vorbericht uber die archaologischen Untersuchungen der Jahre 1995-1996», in: Archaologisches Korrespondenzblatt 27,1997, S. 423-442. Letter? Ubergreifend zum Thema der donaulandischen und suddeutschen Burgen: Stefan Winghart, «Sudbayern und der Donauraum - Aspekte zum Thema der spatbronze - und fruhurnenfelderzeitlichen Hohensiedlungen entlang der Donau», in: The Early Hall- [ 120 ] statt Period (1200-700 B. Studies? C.) in 3d artist cover South-Eastern Europe . Bibliotheca Musei Apulensis, Alba Iulia 1994, S. Ford Dissertation? 241-253.

3 Zusammenfassend fur den siebenburgischen Raum:Tiberiu Bader, «Die befestigten bronzezeitlichen Siedlungen in Nordwestrumanien» in: Beitrage zum bronze zeitlichen Burgenbau in Mitteleuropa , Berlin 1984, S. 47-70. Fur Ungarn: Gabor Bandi, «Bronzezeitliche befestigte Siedlungen in Westungarn» in: Ebd. , S. 81-95. Letter? Tibor Kemenczei, «Der spatbronzezeitliche Burgenbau in Nordungarn», in: Ebd. , S. Be Legalized? 273-278. 3d Artist Cover Letter? Fur die Slowakei: Vaclav Furmanek, Ladislav Veliacik, Peter Romsauer, «Jungbronzezeitliche befestigte Siedlungen in der Slowakei», in: Ebd ., S. Thematic Foreign Policy? 159-175. Fur dieses Thema von besonderer Bedeutung: Kurt Floredt, «Befestigte Siedlungen der Spatbronzezeit im innerkarpatischen Raum», in: Symposium zu Problemen der jungeren Hallstattzeit in 3d artist cover letter Mitteleuropa. Bratislava 1974, S. 205-228. 4 Bis in thematic essay on us policy die 70er Jahre lediglich: Fritz-Rudolf Flerrmann, «Die urnenfelderzeitliche Siedlung von Kunzing», in: Jahresberichte der bayerischen Bodendenkmalpflege 15/16, 1974/75, S. 58-107. 3d Artist Cover? Seitdem ist eine nahezu unubersehbare Menge metallzeitlicher Flausgrundrisse und Siedlungskontexte erschlossen worden, die derzeit im Rahmen zweier Munchner Dissertationen aufgearbeitet werden. Vorberichte fur das Schotterfeld um Munchen: Stefan Winghart, «Eine Siedlung der Urnenfelder- oder Flallstattzeit von Eching, Lkr.

Freising, Oberbayern», in: Das archaologische Jahr in you and the atom essay Bayern 1983, S. 65-67. Ingeborg von Quillfeldt, «Eine Siedlung der Spatbronzezeit in 3d artist letter Gauting, Lkr. Enlish Lesson? Starnberg, Oberbayern», in: Das archaologische Jahr in 3d artist letter Bayern 1988, S. Doctoral? 53-56. Fur das Schotterfeld um Ingolstadt: Marc Bankus, «Fruhe und mittlere Bronzezeit», in: Karl-Heinz Rieder, Andreas Tillmann (Hg.), Archaologie um Ingolstadt, Kipfenberg 1995, S. 3d Artist Cover Letter? 53-88. Ford Doctoral? Cornelia Schutz-Tillmann, «Spate Bronzezeit und Urnenfelderzeit», in: Ebd. 3d Artist Cover? , S. Dissertation? 89-112. 3d Artist Letter? Fur das Lechfeld um Augsburg: Stefan Wirth, «Die Urnenfelderzeit», in: Walter Potzl, Otto Schneider (Hg.), V or- und Fruhgeschichte-Archaologie einer Landschaft. Der Landkreis Augsburg, Bd. 2, Augsburg 1996, S. 11-139. No Villains Essays? 5 Michael Schefzik, «Neuartige Funde und Befunde endneolithisch-alterfruhbronzezeitlicher Zeitstellung von Eching, Lkr.

Freising», in: Bayerische Vorgeschichtsblatter 60,1995, S. 273-287. Cover Letter? Michael Schefzik und Robert Ganslmeier, «Freiham - Siedlung und Graberfeld der fruhen Bronzezeit, Landeshauptstadt Munchen, Oberbayern», in: Das archaologische Jahr in enlish lesson Bayern 1996, S. Letter? 61-63. Im weiteren vergleiche Bankus (wie Anm. No Heroes No Villains? 4). 3d Artist Cover Letter? 6 Stefan Winghart, «Bemerkungen zu Genese und Struktur fruhmittelalterlicher Siedlung im Munchner Raum», in: Lothar Kollmer, Peter Segl (Hg.), Regensburg, Bayern und Europa. Festschrift fur Kurt Reindel zu seinem 70. Geburtstag, Regensburg 1995, S. 7-49. 7 Vgl. Muller-Karpe (wie Anm. 2). 8 Muller-Karpe (wie Anm.

2), S. 7, 14 Taf. Should Be Legalized Essay? 1, S. 3d Artist Cover Letter? 12-15, 20-27, 30-39. 9 Zum Nachweis vgl., Winghart 1994 (wie Anm. Should Essay? 2), S. 242 mit Anm. 13-18. Cover Letter? 10 Tudor Soroceanu, «Hortfunde und befestigte Anlagen in business studies coursework Transsilvanien», in: Beitrage zum bronzezeitlichen Burgenbau in Mitteleuropa , Berlin 1984, S. 363-376. Furmanek/Veliacik/Romsauer (wie Anm. Letter? 3). Business? Maria Novotna, Die Bronzehortfunde in letter der Slowakei. Spatbronzezeit. Essay Foreign Policy? Bratislava 1970, S. 3d Artist Cover Letter? 18, Karte 1. Why Weed Essay? 11 Hansjorg Kuster et al., «Beitrage zur vor- und fruhgeschichtliche Hohensiedlung Rachel-burg uber dem nordlichen Alpeninntal bei Flintsbach, Lkr.

Rosenheim, Oberbayern», in: Berichte der Bayerischen Bodendenkmalpflege 38/39, 1997/98 im Druck. 3d Artist Letter? Vorbericht: Stefan Winghart, «Halsschmuck der fruhen Mittelbronzezeit von der Hohensiedlung Rachelburg bei Flintsbach am Inn, Lkr. Rosenheim, Oberbayern» in: Das archaologische Jahr in essay lesson Bayern 1993, S. Cover Letter? 62-65. 12 Vgl. Ford Doctoral? Christin Osterwalder-Maier, «Bronzezeitliche Gesellschaft - Ein homerisches Modell», in: Gesellschaft und Bevolkerung. 3d Artist? Schweizerische Gesellschaft fur Ur- und Fruhgeschichte , Bern 1990, S. Thematic? 85-92, bes. S. 88. 13 Frauke Stein, «Bronzezeitliche Hortfunde in Suddeutschland», in: Saarbrucker Beitrage zur Altertumskunde 23, Bonn 1976, S. Cover? 66-70. Studies Coursework? [ 121 ] 14 Harald Koschik, Die Bronzezeit im sudwestlichen Oberbayern . Materialhefte zur bayerischen Vorgeschichte 50, Kallmunz 1981, S. 133-143. 15 Fritz Moosleitner, «Vier Spangenbarrendepots aus Obereching, Land Salzburg», in: Germania 66,1988, S. 29-67. Cover Letter? 16 Rudolf Albert Maier, «Sicherungsgrabungen in Hugelgrabern der Mittleren Bronzezeit im Alztal», in: Neue Ausgrabungen in no heroes essays Bayern («Probleme der Zeit»), Munchen 1970, S. 14-17ff.

Harald Koschik, «Das bronzezeitliche Graberfeld von Unterbrunnham», in: Fuhrer zu vor- und fruhgeschichtlichen Denkmalern 19, Mainz 1971, S. Cover? 64-68. Why Weed Be Legalized? Stephan Moslein, Bronze- und Urnenfelderzeit im ostlichen Oberbayern. 3d Artist Letter? Ungedr. Diss., Munchen 1996 passim. Studies Coursework? 17 Stefan Winghart, «Flachgraber der spaten Bronzezeit aus Eching und Geisenfeld-Ilmendorf, Landkreise Freising und Pfaffenhofen a. d. 3d Artist Cover Letter? Ilm, Oberbayern», in: Das archaologische Jahr in Bayern 1992, S. On Us Foreign? 54-56. Ders., «Das Wagengrab von Poing und der Beginn der Urnenfelderzeit in 3d artist Sudbayern», in: Hermann Dannheimer, Rupert Gebhard (Hg.), Das keltische Jahrtausend. Mainz 1993, S. 88-93. 18 Karl-Heinz Wagner, Nordtiroler Urnenfelder.

Romisch-Germanische Forschungen 15, Berlin 1943. Thematic Essay Foreign? Zum Thema zuletzt mit alterer Literatur Peter Hoglinger, «Die Bronzezeit im Salzburger Flachgau», in: Archaologie beiderseits der Salzach. Salzburg 1996, S. 3d Artist Cover Letter? 34 -48. 19 Stefan Winghart, «Die Wagengraber von Poing und Hart a. d. Be Legalized? Alz - Evidenz und Ursachen spatbronzezeitlicher Elitenbildung in cover der Zone nordwarts der Alpen», in: Eliten in thematic foreign policy der Bronzezeit. Monographien des Romisch-Germanischen Zentralmuseums Mainz , Mainz 1998 (im Druck). 20 Zuletzt ubergreifend: Christopher F. E. Cover Letter? Pare, Wagons and coursework, Wagon Graves of the Early Iron Age in 3d artist letter Central Europe . As Level Business Studies? Oxford Monographs 35, Oxford 1992, S. 3d Artist Cover? 19-42. You And The Atom Bomb? 21 Winghart 1994 (wie Anm. 3d Artist? 2), S. 248 ff.

22 Eine ubergreifende Behandlung des Themas durch Christopher F. E. You And Bomb Essay? Pare ist in Vorbereitung. 3d Artist Cover Letter? Fur Sudbayern ein diesbezuglicher Neufund: Stefan Winghart, «Totenfolge am Lechrain? Ein reiches Doppelgrab der spaten Bronzezeit im neu entdeckten Graberfeld von Hurlach, Lkr. Foreign Policy? Landsberg am Lech, Oberbayern», in: Das archaologische Jahr in 3d artist cover Bayern 1996, S. Thematic Essay On Us Foreign? 69-72. Cover Letter? Bisher unpubliziert sind zwei Gewichte aus der spatbronzezeitlichen Adelsnekropole von Poing. Should Be Legalized? Lkr.

Ebersberg, Bayern (vgl. Cover Letter? Winghart 1993, Anm. 17). 23 Winghart 1993 (wie Anm. 17). Albrecht Jockenhovel, «Urnenfelderzeitliche Barren als Grabbeigabe», in: Archaologisches Korrespondenzblatt 3, 1973, S. Essay? 23-28. Letter? Ders., «Zeugnisse primarer Metallurgie in no villains Grabern der Bronze- und Alteisenzeit Mitteleuropas», in: Archaeologia Polski 27, 1982, 293-301. 24 Nur am Rande soll in diesem Zusammenhang auf den uberaus komplizierten Komplex des Zinnhandels verwiesen werden: Zinn, das zur Legierung der Bronze notwendig ist, kommt nicht in cover letter selben Lagerstattenrevieren wie Kupfer vor und musste demzufolge eingehandelt werden. Nach dem aufgefuhrten Modell trafen die Kupfer- und Zinnstrome in why weed should be legalized essay Suddeutschland in den Wohnsitzen der voralpinen Aristokratie zusammen. 25 Hoglinger (wie Anm. 3d Artist Cover Letter? 18).

26 Das von Dr. L. Foreign Policy? Sperber, Historisches Museum der Pfalz, Speyer und dem Verfasser for 3d artist cover letter mulierte und beantragte Projekt wurde 1996 im Rahmen des Forschungsschwerpunktes «Archaeometallurgie» der Volkswagenstiftung genehmigt. Doctoral? Die Durchfuhrung im Bayerischen Landesamt fur Denkmalpflege, Abt. Cover Letter? fur Archaologische Denkmalpflege, Munchen erfolgt durch Dr. Thematic Essay Foreign? Stephan Moslein, die Metallanalytik durch Prof. Dr. 3d Artist Cover Letter? Ernst Pernicka, Max-Planck-Institut fur Kernphysik, Heidelberg und die lagerstattenkundlichen Unter-suchungen durch Dipl. Thematic Policy? Min. 3d Artist Cover Letter? Klaus-Peter Martinek, Zwiesel. Bomb? Die Publikation der Ergebnisse ist fur die Arbeitshefte des Bayerischen Landesamtes fur Denkmalpflege vorgesehen. 27 Hermann Muller-Karpe, «Das urnenfelderzeitliche Wagengrab von Hart a. 3d Artist Cover Letter? d. No Heroes No Villains Essays? Alz», in: Bayerische Vorgeschichtsblatter 21, 1955, S. 46-75.

28 Vgl. hierzu etwa Walter Janssen, «Der Bullenheimer Berg», in: Hermann Dannheimer, Rupert Gebhard (Hg.), Das keltische Jahrtausend . Letter? Munchen 1993, S. Essays? 75-82, wo Hortfunde [ 122 ] innerhalb einer befestigten Hohensiedlung als Tempelschatze angesprochen werden. 3d Artist Cover Letter? Ubergreifend zum Thema: Joachim Werner, «Mykenae - Siebenburgen - Skandinavien», in: Atti del primo congresso internazionale di preistoria e protostoria mediterranea . Firenze, Napoli, Roma 1950, S. As Level Business Studies? 293-308. Kurt Horedt, «Siebenburgen und Mykena», in: Nouvelles Etudes d’Histoire, publiees a l’occasion du Xle congres des sciences historiques . Stockholm 1969, S. 31-44. 29 Fritz Moosleitner, «Rettungsgrabung in Salzburg-Maxglan», in: Archaologie Osterreichs 4/2, 1993, S. Cover Letter? 10-20: Ders., «Kelten in enlish lesson Flachgau», in: Archaologie beiderseits der Salzach , Salzburg 1996, S. 3d Artist Cover? 60-74.

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